Maria ke Fisherman, the streetwear brand by Maria Lemus and Victor Alonso, blends the 90′s techno culture with a vision of sexy cyberpunk future.
Stripped to the basics, the sofa itself is nothing more than its basic framework.
Mercado San Cosme was born inspired by iconic elements from mexican culture, its Modernist architecture and its magical ancestral liquor: mezcal.
Dramatic views of the Clifton beaches are framed through this impressive residence.
Talus Dome is both a sculpture in the landscape and a mirror to the landscape.
Artist Jean Glibert focused on the building’s luminous intensity to reflect the green and red tones of the office and the library towards the reception area and meeting rooms.
Floating slightly above the ground sensation accentuated by windows hitting the ground.
Furniture Showroom Re-Imagined into Dynamic Design Lab.
Interlaced plant branches regulate natural light accentuating the office’s recycling business nature.
The structure of this gallery is a suspension system like a hammock in a forest.
Toyo Ito, 2013 Pritzker Architecture Prize Laureate, a retrospective:
Tama Art University Library (Hachiōji campus), 2004—2007, Hachioji-shi, Tokyo, Japan
A fashion story done for LIFE magazine in Ningbo. Photographed at the INGBO HISTORY MUSEUM by architect Wang Shu.
TRIO is a combination of three elements all in one: a lamp, a cloth hanger and a little table.
Bamboo wall clock inspired by Motion Capture.
The building, photographed by Joao Morgado, makes references to the 1955 Gil Eannes Hospital Ship.
Superb technical manipulation of colour, cut and adhesion for sheet glass enhanced by nendo’s furniture design.
The physical manifestation of the concept of shared knowledge.
Eva Poleschinski presents a collection with an experimental flair with unique geometric shapes and organic forms. EP ANOUI BY EVA POLESCHINSKI © MERCEDES-BENZ FASHION
Karim Rashid in charge of restyling the bar at nhow Milan: lighting by Axo Light.
‘Humanising’ the stealth shell with a simple wooden interior and a fireplace.