MORFAE

In search of developing his identity, Stefan Schöning has worked in a lot of different fields with a variety of products and materials

The name of the watch comes from the French phrase: Il faut voir, sentir et anticiper cette nouvelle VUE on temps. Let the mystery of time, its appearance and disappearance fade into our lives.

With simple, pure geometric volumes, but rather challenging structural solutions, the project intends to evoke an image of lightness within a language of heavy and massive volumes.

JEAN//PHILLIP SS11 Homme, an earthly invested playground of meritorious sartorial textures.

The show brings together pieces that explore unusual techniques and materials and manipulated textures.

Beginning with inflated bubbles and interactive installations in the 1960s, the group, consisting of the architects Wolf D. Prix, Helmut Swiczinsky and Michael Holzer, began to create harsh interventions in the urban context under the headline “architecture must burn.”

OMA’s first completed project in Hong Kong opened on 28 September 2010: museum-quality exhibition space and offices for the Edouard Malingue Gallery, the city’s first gallery dedicated to Impressionist and Modernist masterpieces.

‘Staging Silence’ is based around abstract, archetypal settings that lingered in the memory of the artist as the common denominator of the many similar public places he has experienced.

The architects offer a solution to the practical demands of the Flemish Parliament in which they integrate their projects in a beautiful and elegant way in the existing architecture of the protected monument.

This is a new range of jewels – out of the normal standard of preciousness – where the value of the object is given by the personality of the wearer.

The Rise is created for independent women with strong personalities.

The proposed structure WOVEN endeavours to capture each of these identifying aspects of local environment, tribal society, and trans regional entrepreneurship in the outer and inner characteristics of one emblematic elevated building.

Blurring the definition between technology and interior space, the showcase room features the latest technology in the fields of media and communication in combination with prototypical products developed by renowned manufacturers.

‘Midrash’, which means ‘to draw sense’ becomes an icon and forms, out of letters in different layers, sizes the façade of the Jewish Congregation of Brazil.

‘I dreamed about a place which was conceived and built like a television, cinema or music studio. I wanted this place to offer teenagers the same potential for action and creation as the professional equivalent…’

The staircase as a compressed spatial motion element of a former free field.

A bathroom where mutually alternating fragmentary mirror surfaces and lighting fixtures form a jigsaw puzzle of an image and a reflection.

Located in a nineteenth century theatre, La GAITE LYRIQUE is dedicated to the arts and music of the digital era.

The memorial design begins with an abstract object, solid, pure and whole, one that is composed of a number of uniform rectangular tubes. Elements are then purposefully erased to affect dissolution of the whole and signify that for humanity, our loss is permanent.