Like a team of archaeologists, Herzog & de Meuron and Ai Weiwei identify physical fragments as remains of the eleven Pavilions built between 2000 and 2011, revealing an astonishing landscape.

The architects emphasise the festive dimension of the facility by making a unique architectural statement.

The project’s diversity is best communicated through its section which highlights the partially buried volume.

A rhythm on the wall is set with wood wainscoting, which starts on the exterior and travels all the way through the concert hall.

This winning proposal presents a reading of the drama of the natural countryside, building it on top of a steep hill relatively protected by the surrounding rugged topography.

A contemporary building that adds a new layer to the historic layers of the cathedral.

BIG designs cross # towers in Seoul, Korea

A 2012 Competition Winner for the Piscine du Fort, Feng Shui Swimming Pool.

The porthole window used in the original design created a new façade and loosened the rigidness of the previous design.

House Roces is conceived as a transparent box where the inside space is filled in with clearly defined boxes and volumes.

Two opposing forms redolent of nautical bollards become monuments to journeys.

Lamp or display stand? Rather a portable cabinet of curiosities, a microcosm and memory theatre, it is a miniature projection of its owner’s inner world.

Tower Studio is the fourth of a series of six artists’ studios to be presented.

Bridge Studio is the third of a series of six artists’ studios to be presented.

Squish Studio is the second of a series of six artists’ studios to be presented.

Tinted, desaturated colours and ‘empty’ frames, dominated by the scale of the old walls in the background, highlight the black garments.

With their original concepts, these freshly pop watches differentiate themselves from traditional wristwatch design aesthetics.

Long Studio is the first of a series of six artists’ studios to be presented.

A collection that explores the codes of differentiation drawing influences from civilisations untouched by our post-enlightenment culture. Named after the Polynesian supreme god, the collection rediscovers mythologies and animistic conceptions, masks and totems, tribal symbols and primitive art.