Graphics as craftsmanship. Three dimensional type is attached to a structure resembling stage scaffolding. Strategically placed LEDs lighten up the model.
‘Mørkemann’ is a fashion editorial for FHM Norway, May 2012 edition. The title is Norwegian and means something like ‘Man of darkness’.
Two new products designed by Benjamin Hubert for Casamania launched at Salone Del Mobile, April 2012.
An unexpected mixture of classic elegance and sporty elements in the ‘JUST ONE OF THOSE THINGS’ collection by young German fashion designer Sebastian Ellrich.
Benjamin Hubert has won the international competition to design an armchair for Poltrona Frau’s Centenary celebration.
Black-and-white, swimwear editorial photography by Roman Mitchenko for Fashion Week magazine.
A flexible and adjustable shelving system that can be used as a display in retail spaces, or just for storage at home.
Inspired by Chinese culture, Timmothy Lee blends modernity with the popular interpretation of tradition producing style out of what otherwise might seem vulgar
Bare of unnecessary decorative elements or superfluous forms, the Bubble floor lamp is characterised by its unexpected form that evokes the element of surprise
A very casual collection with jumpers and slightly oversized trousers matched with bright coloured sneakers.
A flower pot with a central handle that also functions as plant support. A simple, elegant and functional concept by Belgian designer Quentin de Coster.
Dynamic and elegant, often accentuated by stylish scarves, the collection includes some great outfits for the office.
The Spanish designer duo has created a stylish, pop household accessory consisting of fives bowls for dips and snacks, perfect for the aperitif or dinner.
Fashion photographer Alexo Wandael photographs Katy Perry for Plastic Dreams Magazine, published by the famous shoe brand Melissa.
The juxtaposition of light and darkness represents the conflict between public and private in the life of a star constantly exposed to the media like Lady Gaga
The stadium will have its own, distinctive modern character and will be based on environmental and user friendly approach.
The design is an insert into the space, on one hand reverential to its container and on the other completely obliterating its rigid geometries.
Like a team of archaeologists, Herzog & de Meuron and Ai Weiwei identify physical fragments as remains of the eleven Pavilions built between 2000 and 2011, revealing an astonishing landscape.
The architects emphasise the festive dimension of the facility by making a unique architectural statement.
