The Portuguese shoes international campaign 2012 by APICCAPS, shot in Porto by fashion photographer Frederico Martins.
And a fairytale it is. The Sydney based designer presented a collection elegantly adorned with lace and beads, sheer dresses and knee-high socks.
Strikingly colourful, with detailing that uplifts the collection to the level of ultra stylish and with faux as the dominant concept.
A duplicate self captured in the image, the aura of an imaginary friend accompanying the girl while trying on clothes in front of the mirror.
Editorial photo shoot in the woods, with an aura of mystery and magic. By Sao Paulo based photographer Marcos Alberti.
A photo session made for La Muy magazine in Lucania Palazzo Presidential Suite.
Dorothee Schumacher unites contrasting styles and fabrics with a lot of love and great attention to detail, thus creating strong fashion statements.
A series of illustrations by Natalie Shau for jewelery designer Lydia Courteille.
Austere lines meet draped and pleated volumes in a collection of relaxed basics with urban attitude.
Casual and contemporary, the collection plays with long fluid lines, fabrics softly wrapping the body, soft volumes, mini-dresses and youthful femininity.
Dominika Cuda softly blurs the figure’s outline playing with the gentle movement of the body and the frenzied motion of light.
Striking editorial photography with beautiful styling by Madrid based fashion stylist Jose Herrera.
Garments wrapping around the body, occasional revealing laces, layers and draping, adornments with beads; carefully balancing between edginess and glamour.
Relaxing moments by the water and contemplation about the times that have gone by.
This editorial piece is a promotional initiative by the Portuguese shoe industry association APICCAPS, to promote the young shoe designers.
‘…My philosophy is basically not to have one, but always experimenting and trying new things. My inspirations change constantly, and I prefer not to dwell too much with what I did last season, but instead start fresh’.
The h2o bench thanks to games of assemblage, flipping and inversion becomes a game of correlations: instant stool, chair, bench, and meeting place.
Due to planning restrictions the façade had to be three metres wide or less creating a corridor-like space on such a narrow site. The architects tried to resolve this problem by creating a sense of continuity between the street and the back of the house.
