Ashkan Honarvar has dismantled luxurious porcelain figurines items to create new compositions that show no real identity but still radiate wealth.
Rococo-mania is an unconventional museum experience that explores rococo as a phenomenon of the past as well as the present.
The white shirts are the expression of the banality of our life reused in an unexpected way in the narration of diferrent stories, humorous or sad.
The organic forms of two identical wings captured at the moment of splitting apart.
Haptic Intelligentsia – Bringing Craftsmanship Into a Computerized Technology.
A prototype of a plant for the industrial production of silk from Madagascar spiders.
A series of paintings on the theme of emptiness – the representation of void – by Johannesburg based artist Givan Lötz.
An installation about ecstasy, devastation and change by Johannesburg based artist Givan Lötz.
Readymade elements, bicycle parts to be exact, reused in amannere reminiscent of Marcel Duchamp’s ‘Bicycle Wheel’ and ‘The Large Glass.’
Inspired by Guy Bourdin’s photography, Riccardo Tisci, Artistic Director of Givenchy, creates an intensely sexual collection, avoiding provocation.
The BMW Museum is dedicating a special exhibition to the world-renowned fashion and advertising illustrator René Gruau, who died in 2004.
With a title reminiscent of ‘The Guns of Brixton’ and with the 1981 Brixton riots as the starting point, Robots of Brixton is a symbolic science fiction tragedy.
A neighborhood-specific sculpture that displays informational materials and objects that raise awareness of Miami-based organizations and causes.
A selection of looks from the Autumn Winter 2012-13 collection by Parisian fashion designer Gaspard Yurkievich.
Protruding slices of mixed rubber stacked and held in place, piece by piece, forming a feverishly intense pattern defined by forceful undulating forms.
Presented annually at Miami Beach’s historic hotel, The Raleigh, Mercedes-Benz Fashion Week Swim is the world’s leading swimwear fashion show.
The architects worked hard to make the chapel look like ‘just another’ colossal boulder atop the mountain.
”As for the state of land with a cleared surface, I felt freedom. I’d like to reflect the freedom and possibility in an architectural space”.