House Roces is conceived as a transparent box where the inside space is filled in with clearly defined boxes and volumes.

A jutting platform, a floating sheet of concrete.

Two curving formwork elements made of reinforced concrete appearing as two carefully receptive hands.

Progressive housing: Stage one of two of Casa DAUZ, a house that grows with the family.

The building is part of an ensemble of new public buildings around the main central public plaza.

Minimalistic realisation of structural expressionism with the central column as a protagonist.

Shaping looking, seeing and contemplating.

A large piece of concrete split and cut into four large volumes tilted at their separation point.

Refining and redefining a historical building typology.

A concrete plate forms a zigzag structure accommodating three shells and two open courtyards. In the evening it transforms into a lighting installation.

A hard core modernist approach of design composed out of two rectangles arranged on top of each other forming an ‘L’.

A ship-like form, the new municipal office, aims to become an icon for The Hague.

A house with a dual personality accommodates an intimate, introverted, closed house with a courtyard and an outward looking, open glasshouse above.

A semi-transparent wall of glass separates the courtyard from the street bringing in light while masking views in from passersby.

The design expands horizontally and vertically over three floors involving the exterior area within its habitable space blurring their boundaries.

Tinted, desaturated colours and ‘empty’ frames, dominated by the scale of the old walls in the background, highlight the black garments.

With their original concepts, these freshly pop watches differentiate themselves from traditional wristwatch design aesthetics.

The structure orchestrates the three surrounding streets, into a coherent urban space-a new public square for the rejuvenated city centre of Jerusalem.

Crisp, alien, periscope-like objects rise from the desert.