An abstracted black monolith hovers over the landscape reminiscent of ‘2001: A Space Odyssey.’
Surprisingly enough, this exceptional residential project actually is a renovation and extension of a pre-existing bungalow.
An invited international competition won by Plasma Studio with collaborators GroundLab and LAUR Studio.
This monolithic volume is seemingly chiselled in an attempt to liberate the shape within, to reveal the truth, creating small openings, the windows.
Simulating the softness of a paper curtain flapping away in the wind, a steel ribbon screen encloses the amazing paper characters of the Nebuta festival.
Blurring the boundary between public and private spaces and tampering with scale are the two issues that compose the concept for this tower.
The Jellyfish House, a beautiful and unique sample of the expressive architectural research and experimentation, is now part of the SFMOMA permanent collection.
Water droplets in nature were the inspiration for ‘The Pod’ pavilion structure creating a dynamic spherical form resulting in a primitive building archetype with a modern twist.
The project is part of the very subtle town planning scheme adopted by Bernard Paurd, in an attempt to pull together the different signs and traces that are superposed on the site like the various writings on a palimpsest.
A dynamic, angular form rises from a pedestal to reach the sky.
The design concept is based on two intersecting prisms situated on a naturally inclined site within the trees ensuring the survival of natural environments.
An arrangement of several solids in order to attenuate the overall mass.
The entire program of the refurbishment takes place on perimetrical fringe of variable thickness, leaving a reprogrammable interior space.
A unique tower that defies conventional high-rise design strategies. A second skin wraps the building, adding an enigmatic depth to the facade, as if the tower were a porous white monolith landed in the landscape.
A Coffee house made from Coffee.
Limited edition of a hybrid shelving unit by Saint-Etienne based designers Numéro 111 for Galerie Gosserez.
Madrid based stylist Jose Herrera explores the dark shades of austerity in an editorial for OXXO MAGAZINE.
A rocking base and a faceted cushion add a fresh feel to an icon of minimalistic aesthetics.
The functional requirements for a bench transcend to a sculpture that captures the movement and the fluid geometry of a cloud.
