The porthole window used in the original design created a new façade and loosened the rigidness of the previous design.
House Roces is conceived as a transparent box where the inside space is filled in with clearly defined boxes and volumes.
The front ephemeral façade, a temporary art installation, changes every eight years.
The extremely cost-effective design unites the aesthetic impact of a sculptural architectural object with the efficient functionality of commercial buildings.
The sculpture is enveloped by a sumptuous glass wrapping, covered with Vuitton’s drawings.
The dwellings are designed from an invariable core with a modulated addition which completes the requirements of the program.
The use of bold green colour and the semi transparent skin give the building a strong identity.
The building is divided into three volumes, whose rotation is suggested by the geometry of the site.
The building is part of an ensemble of new public buildings around the main central public plaza.
Inspired by the poet Terencio Formenti the architects’ have designed rainbow coloured vertical wooden panels adding versatility and a dream-like quality to the façade.
The theatrical array of windows give us sneak previews of the interior inviting us indoors to listen to the sound.
Restaurant and residence co exist under the punctured façade masking the building’s scale.
The extension of Harelbeke City hall consists of a new Corian-clad building that connects two existing ones, one of which was renovated.
The 1600 sqm building which is entirely covered by a glass façade is MVRDV’s seventh proposal.
Ribbons of wave-like perforated steel form a mask, the second façade of this old warehouse.
Tinted, desaturated colours and ‘empty’ frames, dominated by the scale of the old walls in the background, highlight the black garments.
With their original concepts, these freshly pop watches differentiate themselves from traditional wristwatch design aesthetics.
2010 Winner of The Rosa Barba European Landscape Prize and the Audience Choice award in The 6th European Biennial of Landscape Architecture.
Water droplets in nature were the inspiration for ‘The Pod’ pavilion structure creating a dynamic spherical form resulting in a primitive building archetype with a modern twist.
