Emulating a Morpho-mechanical system with sensors, actuators, computational and control firmware embedded in a fibre composite skin was the core of this research.
’Fabricate’ cleverly adapts Jacquard type weaving to make light shades. The principle of ‘Fabricate’ is very simple but the variations of its result are boundless.
The interior carries metaphors relating to the client’s business. The main entrance has a light ribbon around the door frame, symbolizing the ‘light’ leading to the solution.
Renault Twingo MissSixty® Edition, a distinctly feminine limited edition version with unprecedented low CO2 emissions.
Seven Sins is a poster series that illustrate seven deadly sins: lust, gluttony, greed, wrath, pride, envy and sloth.
A volumetric landscape within the greater airport landscape.
This 5-star contemporary restaurant is an award winning project completed in 2009 in Shenyang, China.
Its new building, designed by Foster + Partners, doubles the exhibition area and pioneers an innovative approach to vertical movement within a gallery setting.
This award-winning series of lamps presents light in a fluid form.
The purpose of this architecture is to construct a new urban space combining the private and public, the vertical and horizontal. The building’s envelope is conceived as an apparatus for the city’s constant visual reinvention.
Carved from the confines of an existing structure beneath the High Line, this installation envelops visitors within a glacial cavern excavated from a single material.
The stadium will have its own, distinctive modern character and will be based on environmental and user friendly approach.
The interwoven steel rings form a delightful pattern that gives fantastic shadows.
The structure orchestrates the three surrounding streets, into a coherent urban space-a new public square for the rejuvenated city centre of Jerusalem.
The scheme has a progressive environmental agenda and is designed to mitigate the effects of the area’s high levels of humidity using a low-energy, desiccant wheel.
Tinted, desaturated colours and ‘empty’ frames, dominated by the scale of the old walls in the background, highlight the black garments.
With their original concepts, these freshly pop watches differentiate themselves from traditional wristwatch design aesthetics.
The square appears as a carpet of integrated strips of concrete paving, vegetation and lighting with concrete benches and trees scattered randomly.
A collection that explores the codes of differentiation drawing influences from civilisations untouched by our post-enlightenment culture. Named after the Polynesian supreme god, the collection rediscovers mythologies and animistic conceptions, masks and totems, tribal symbols and primitive art.
