MORFAE

the shape of things: architecture, design, interior, art, style

22.02 2012

The architect’s intention was to capture the tranquillity and beauty of the site with the minimum intervention. An almost transparent building was gently placed on site inspired by Mies’ Farnsworth an icon of 20th century modern architecture in Plano, Illinois. By stretching, looping and folding it the icon is adapted to the 21st century. Free flowing, see-through spaces create breath taking experiences for the visitor.

Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO
Riverside clubhouse by TAO (Trace Architecture Office) in Yancheng, Jiangsu, China. Photography by Yao Li.
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‘The clubhouse is located on one side of a river in Yancheng, surrounded by a park and sports field. The extended horizon, sky, water, island in river, and reed, these elements of the site define a tranquil, pure and poetic atmosphere. In such an environment, we think architecture must be a careful intervention to the site, to avoid ruining the original sense of place and meanwhile create the close contact with nature. Thus a glass building on riverside and in trees naturally comes to mind as beginning idea, to integrate visitor, architecture and landscape.

The design therefore takes Mies’ Farnsworth as a prototype concept and creates a new form through a series of actions on it: stretch, loop, and fold. These actions lead to following results: smaller building depth with better views, introversive courtyard space offering more privacy, getting closer to water and accessible roof as extension of landscape. The transparency dematerialises architecture. The concern to physical form of building is replaced by desire to create flowing and see-through space to maximize visitors’ experience of natural environment outside.

Responding to the horizontal feature of surrounding landscape and trees in site, the building is made into a linear and folded form. It zigzags and flows, sometimes approaching the ground, sometimes floating in the air. While inside it provides to visitors various views at different level and angle, it also gives an impression that architecture is touching the site in a very ‘light’ form, thus creating a subtlety. The soft soil geo-condition of the site also makes this floating form structurally reasonable since slim columns on pile foundations support the building.

The floor thickness and column size are made to their minimum dimensions to emphasize the ‘light’ character of building and feeling of floating. The materials such as low iron glass, white aluminum panel, travertine floor, precast concrete panel and translucent glass partition are used to gain formal abstraction and to create the atmosphere of simplicity and purity. In the context of lacking local materials and craftsmanship, an abstract form becomes a natural choice aesthetically.’

Text by TAO
ARCHITECT: TAO (Trace Architecture Office), Beijing, China. CLIENT: Zhongti Corp. LOCATION: Yancheng, Jiangsu, China. DESCRIPTION: Mixed use (Exhibition, reception, lounge, multimedia, meeting, office). STATUS: completed. AREA: 500 sqm. DESIGN TEAM: HUA Li, Zhang Feng. STRUCTURAL ENGINEER: Ma Zhigang. MEP ENGINEER: Lv jianjun, Lian Kanglong. STRUCTURAL SYSTEM: Steel structure on pile foundation. EXTERIOR WALL: Low iron glass frameless glazing, aluminum, precast concrete panel. FLOOR: Travertine. DATE: 2010. No part of this web site may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Morfae and the copyright owner.
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