MORFAE

the shape of things: architecture, design, interior, art, style

30.06 2011

A signature identity that resonates with an icon of contemporary architecture and becomes part of the building’s aesthetics while retaining its own character.

Bruce Mau
Bruce Mau
Bruce Mau
Bruce Mau
Bruce Mau
Bruce Mau
Bruce Mau
Bruce Mau
Signage by Bruce Mau for Gehry’s Walt Disney Concert Hall. Images: Bruce Mau Design@Behance
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‘In 1991 Frank Gehry commissioned us to develop an original visual signature and environmental graphics for the Walt Disney Concert Hall (WDCH), the new home of the Los Angeles Philharmonic Orchestra. The WDCH runs an entire city block, and is the cornerstone of an ongoing downtown revitalization program.

From the beginning, our challenge was to create a signature identity that would resonate with Gehry’s iconoclastic building design without mimicking it. All signage had to be scalable in tone, equally at home with Philharmonic formal and downtown funky.

We tested over 5,000 existing typographic variants through a technique appropriate to the artistic roots of the building: Disney animation. By animating fonts and exploring the in-between frames as one font transformed into another, we invented a new font with dynamic range, which we dubbed “A Font Called Frank.” After testing it by creating posters for everything from a John Cage concert to a Wagner opera, we applied our invention to the building. We integrated the typography by embedding the information alive in the material itself, creating perforations in the metal to allow light to emanate from within.

Today the Walt Disney Concert Hall is one of L.A.’s most recognizable landmarks.’

by Bruce Mau Design
Bruce Mau Design, Toronto, Ontario, Canada, 2011. No part of this web site may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Morfae and the copyright owner.
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