MORFAE

the shape of things: architecture, design, interior, art, style

28.05 2011


A new perspective on urban living that celebrates all the city has to offer through picnicking.

kotoli
kotoli

Since life is ‘no picnic’ nendo are eager to bring back the era of picnicking like in the 19th century, where a fashionable group of Londoners formed the ‘Picnic Society’ to relax and eat outdoors. The collaboration with Ruinart, the oldest champagne house and nendo has produced a fusion of this romantic idea and contemporary style. The image of birds perched along telephone wires, to take a break from flying, is recreated in the design of this bird cage travel box, complete with a straight edged handle and a matching cantilevered bottle stopper.

kotoli
kotoli
kotoli
kotoli
kotoli
kotoli
kotoli
kotoli
Picnic box ‘kotoli’ by nendo for Ruinart champagne house. Photos by Masayuki Hayashi.

“Ruinart was interested in a new perspective on urban living that celebrates all the city has to offer through picnicking, rather than trying to escape from the city.

Our design motif is the way that birds fly down to perch on a telephone wire for a moment’s rest. Tokyo is criss-crossed with telephone wires; how many of these might serve as a hammock, if we could only change the way we see them? This is the spirit that we hoped to capture.

The stem less champagne flutes cannot stand on their own. Instead, the silver ring allows them to ‘perch’ for a rest on the bottle, the picnic box or the birds-nest restaurant tray, and for picnickers to enjoy champagne anywhere, even far from an even tabletop.

And the birdcage cooler bag transforms into a champagne bucket when the top is opened.

In this way, all of the pieces take advantage of existing infrastructure – the bottle, the edge of the box, the form of the cooler–to provide mobile sociability, allowing people to connect with each other wherever they would like, in a low-key, elegant way.”

nendo
DESIGNER: nendo, Tokyo, Japan, 2011. No part of this web site may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of Morfae and the copyright owner.
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