MORFAE

The use of the house generates a direct experience with materials, tactile sensations and a different consciousness of its elements.

AGi architects, in collaboration with Bonyan Design, win the competition for this building.

The flagship design features a façade of 210 stacked, translucent display boxes in a herringbone pattern.

Open, Youth and 3D winners announced.

Five perforated office slabs, stacked to face different directions, form an atrium and a multipurpose space on the ground floor.

An incredible idea for an elevated garden minimising the building’s footprint and having your Big Mac in style!

The repetitiveness of the windows creates a rhythm and an architectural language unveiled by Joao Morgado.

A lighting choreography inspired from Tai Chi postures.

La ballena imantada’s latest installation of floating displays.

State Prize for Architecture. The jury appreciated their courage to use a decidedly contemporary language of form, without quoting alpine clichés.

Warm light enclosed in a diffusing seed coat.

A box and a desk are the key elements for the creation of the bank’s new identity glorified by Joao Morgado’s photographs.

An impressive ‘six legged creature’ stretches its body across the water.

The manipulation of surface texture turns into Art.

The Centre makes optimum use of the arrangement of the landscape following the example of the prehistoric artists.

The staircase as a compressed spatial motion element of a former free field.

A bathroom where mutually alternating fragmentary mirror surfaces and lighting fixtures form a jigsaw puzzle of an image and a reflection.

The h2o bench thanks to games of assemblage, flipping and inversion becomes a game of correlations: instant stool, chair, bench, and meeting place.

The concrete structure on the North Tyrolean side juts out like an erratic boulder into the South Tyrolean side, underlining the cross-border nature of the Timmelsjoch Experience.